‘Godspell’ in 2020: Masks, Partitions and a Contactless Crucifixion

The response was clear: Any time somebody within the again row was singing, there would should be a bodily barrier between them and people within the entrance row. And any time actors had been passing inside six toes of each other — which means mainly each time a scene modified — they would want to put on a masks.Filderman’s authentic conceit, wherein the actors entered the stage masked, carried out the present whereas socially distant however with out masks, after which placed on masks once more when exiting into the offstage world, wouldn’t move muster. “My idea for the present is gone,” he blurted out, “and life goes on.”The primary a number of scenes, which had already been rehearsed, would now should be “Covid-proofed” — a phrase that, interchangeably with “Corona-proofed,” was shortly adopted by solid and crew. (Periodically, rehearsal would screech to a halt when somebody yelled “Covid maintain!” to lift a security query.)There have been problems for the designers, too.Hunter Kaczorowski, the costume designer, determined to tie-dye neck gaiters that may very well be used as face coverings in the course of the present, straightforward to roll up and down with out disrupting the head-mounted microphones.Adelson, the lighting designer, was answerable for limiting glare off the partitions. And Randall Parsons, the set designer, managed the partitions themselves, rolling panels of clear vinyl that he referred to as “spit guards.”“We’re not ecstatic about this, however we’re doing what now we have to do for the prime directive, which is security,” mentioned Parsons, who, like a lot of his colleagues, misplaced a number of jobs when the pandemic hit. “This can be a new world for everybody. However I’m nonetheless like, ‘Oh my God, I’ve a present!’”

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